
How David Patrick Kelly Brings Unexpected Depth to a One-Dimensional Fairytale King

How Dancer and Choreographer Sarah Parker Juggled Three Broadway Shows at Once

38 Thoughts: A Recap of the 2023-2024 Broadway Season

Sarah Ruhl Reintroduces Virginia Woolf’s ‘Orlando’ 100 Years Later, This Time to Audiences Who Are Ready for It

‘Appropriate’ Is a Play Packed Full of Secrets — and Its Set Is the Most Jaw-Dropping One

Playwright Sarah Gancher Desperately Wishes ‘Russian Troll Farm’ Were Irrelevant

Hannah Cruz Doesn’t Want to Follow in Someone Else’s Footsteps

Arin Arbus Finds Permission from Samuel Beckett Himself to Tinker with ‘Waiting for Godot’
