Bailey Williams and Emma Horwitz are Making Weird Queer Theater
How David Patrick Kelly Brings Unexpected Depth to a One-Dimensional Fairytale King
How Dancer and Choreographer Sarah Parker Juggled Three Broadway Shows at Once
38 Thoughts: A Recap of the 2023-2024 Broadway Season
Sarah Ruhl Reintroduces Virginia Woolf’s ‘Orlando’ 100 Years Later, This Time to Audiences Who Are Ready for It
‘Appropriate’ Is a Play Packed Full of Secrets — and Its Set Is the Most Jaw-Dropping One
Playwright Sarah Gancher Desperately Wishes ‘Russian Troll Farm’ Were Irrelevant
Hannah Cruz Doesn’t Want to Follow in Someone Else’s Footsteps
Arin Arbus Finds Permission from Samuel Beckett Himself to Tinker with ‘Waiting for Godot’
